The address of the first transmitter and main studio was 7711 Sixth Ave. No. Click on Photo to go to a site with old bloomington antenna site and transmitter photos put together by Aaron White. The year closes out with the Fontane Sisters back with Seventeen, a pretty good song if done by Boyd Bennett and His Rockets, a rockabilly band. It was great to have lunch with Donald K. Martinand talk about his career in broadcasting, which includes several stations in the Twin Cities. Contributed by John Pratt 12-6-07. I do not remember much about Gene Leader. KDWB Studios, 1976 Courtesy RadioTapes.com. Years later, I learned the reason why. When he was on the air, there were hundreds and hundreds of people around the radio station just hanging out and listening to the music. Download Our Free iHeartRadio App! Top O The Radio Dial. WDGY (740 kHz) is a commercial AM radio station licensed to Hudson, Wisconsin, and serving the Minneapolis-St. Paul radio market. Storzs company, Mid-Continent Broadcasting, purchased WDGY on February 6, 1956 for $212,000. The owner, Midcontinent Media, sold the property. My DJ page tells me that Ronn the Rajah of Rhythm & Bluess real name was Ron Samuels the one who married Wonder Woman? Youre not losing WWTC, youre gaining a KEEY. It was then owned by Todd Storz, one of the pioneers in programming to the baby boom generation with music that theretofor had been rarely heard on "white" radio stations. WDGY: Dick Driscoll remembers trying to sneak in some peppier tunes in the mid- 1950s, to his bosss chagrin. KUXL and Preacher Paul Anthony are the sponsors. Bad news from Wikipedia: Despite receiving positive reviews in some mainstream publishings, Purple Haze was a flop. KDWB went off the air at 5:21 PM, Sunday Afternoon, and was back on the air on Tuesday. I hope to get some late 60's clips up on the site soon. WDGY was the Twin Cities' first full-time Top 40 station, going on the air with its new format on February 6, 1956. They would play gospel, and they would play Rhythm and Blues. Tweedle Dee, not by LaVern Baker or even Georgia Gibbs, but by someone named Vicky Young. The whole tower and Reeds escape rope would have burned had the wood had a chance to get a good start. Reed slept through the whole thing. He was hired to do the jazz show, but moved to take over the R&B show when that opened up. Other short subjects would include Can You Explain It? a feature dealing with supernatural occurrences, and Curiosity Corner, a show touching on nature and science. Meanwhile, they borrowed a little trailer studio from someone and that was our production room for the next month or so. The station signed on with a cowbell. Thinking about how to tell the good people of the Twin Cities there was some good radio on the South end of the dial was pretty much all I was thinking about. It was Helm that people petitioned to have on the station more than anything, after trying him out on a trial basis starting in the middle of 1972. The frequency was originally 1140 kc. The 9-tower array beaming 50,000 watts was used to produce one of the most restrictive signals in the USA. The womens format bombed. In March 1970, two engineers struck for higher pay and the disk jockeys honored the picket line. After the war, Kamman produced We Call it Jazz concerts at the Calhoun Beach Hotel and hosted The Swing Club on WLOL. For those who prefer to look on the gloomy side of things, there are always the daytime soap operas on television. Jack Hazlett was Station and Sales Manager, and Ralph R. Smith was Program Director. They promise infrequent and low-tone commercial announcements.. On October 10, 1958, the station was moved from 1590 to 630 kc (Channel 63). There, at 63, where no Minnesotan had gone before. I remember that the No. Airchecks from 1964 indicate an emphasis on news and prophesy. Old Joe Clark played country music. Charlie Smith and Preacher Paul Sunday swing thing. In the main studio, there was a sticky sap-like residue on everything. He has been at KQRS in the Twin Cities for years, doing the morning show. Todd Storz was an heir to the Storz Beer Co. out of Omaha, Nebraska. On August 28, 1981, the station was purchased by Soho Broadcasting, Stanley Soho, President. (KUXL is loaded with preachers earlier in the day, but most of them are called Brother or Doctor.) WLOL FM and KUOM AM cooperated to create the stereophonic sound. OUR SURVEYS FOR WDGY; WEEK #1 THIS WEEK; 1956-07-21: The Platters / My Prayer: 1956-07-28: The Platters / My Prayer: 1956-11-09: Guy Mitchell . Sometime between March 1976 and January/February 1979, the station flipped to Disco. Radio Stations in Minneapolis-Saint Paul, MN Radio stations sorted by popularity Twin Cities News Talk KTLK 1130 AM News/Talk KFAN 100.3 FM KFXN-FM 100.3 FM Sports K-LOVE Radio Contemporary Christian K102 KEEY-FM 102.1 FM Country Music 94.9 El Rey WREY 630 FM Regional Mexican CBS Sports Radio Sports AM 1280 The Patriot WWTC 1280 AM News/Talk Financial Fortitude with Vincent Asset Management. Again, I apologize for the quality. Hammer and Reed had come over from KDWB in 1968. Perhaps, this is a temporary station problem. You can see another photo of Tom Wynn and his on air partner by clicking the following web address: http://www.kfgo.com/pages/tomanddankfgo.html. Phone : (651) 436-4000. . The general manager (Mike Sigelman) and program director (Rob Sherwood) (1974), both hired from established Top 40 station KDWB, felt a major change needed to be made. KYCR changed to KDIZ on December 24, 2015. (Minneapolis Star, March 14, 1966). Later WDGY would flip to a news/talk format; and finally, the adoption of sports talk as KFAN in 1991. (Helicopters had to be replaced by limos when things got too dangerous.) 3D WALKTHROUGH. Although the records say that KUXL was granted the license to increase its power to 1000 watts on October 1, 1963, Will Jones of the Tribune did not announce the approval until February 17, 1964. That clock is probably showing real time. Its a NEW concept in news coverage! Scientifically Designed Entertainment $100,000 worth of better listening Big Big Big 40,000! All on the Northwests QUALITY station. This was on the grounds of the U.S. Silver Fox Farm, at the very northern border of the Village.The document below is the application to move the transmitter in 1927. Photo courtesy Curt Lundgren a/k/a Evan Curfew. Rob flew to Dallas to supervise cutting new jingles for Y100 at the media jingle production company PAMs. Bill Hartman commandeered the U of Minnesota theater production company to help create an exterior faade that would cover a small trailer to remote broadcast from the State Fair. They continued to run the spots. On December 10, 1962, the station launched one of those call-in shows where people argued with the host, who was called Norman Frederick. 740 AM began broadcasting as WRPX, featuring a locally based MOR/adult contemporary format targeting the Hudson/St. It had 50,000 watts during the day and 25,000 at night. King, and the Spaniels are perhaps the best known. Oops! 26w; View 1 more comment. Click here for the story of a strange radio show that was sponsored by Daytons and aired on KDWB for four months in 1968. Early disc jockeys were July 1, 1965 to November 14, 1966: Tom Kaye and Bob Lulline (1965 to 1966), Denny Long (1966 to 1967), Jay Daniels, Phil LaManne (1966 to 1968), Dick Daniels, Ed Lowell, Harvey Moss (1968 to 1969), and Doug White, Tony Young, Dee Carr, and Tom ONeal (1969 to 1970). On October 3, 1963, Forrest Powers reported in the Star that, Well soon be the happiest group of radio listeners in the country. Then I was given stacks of albums of rock, bands from primarily the West Coast, to audition and play once my show began that Spring. What are we gonna do? Staff included Gary (The Deacon) Johnson, a blind disc jockey. The Twin City stations were all on the upper part of the dial at 1070, 1130, 1490, etc., but nothing below 1000. In summary, it was a conservative, white bread market with only a handful of stations in those days., Although many give Storz the credit for inventing the Top 40 format, Haines asserts that it was already in place. At the time you want it. The contributer, 'wild wilson' a/k/a as'wildman' has his onw internet polka radio show. Advertising sales for the stations paled in comparison to the competition, and managing both stations became a burden for the couple, so the Stewarts sold the station in 1972 to Fairchild Industries for $1.5 million. The show was emceed by KUXLs Jack Harris and Billy G. Little Miltons hits were listed in an ad in the Insider as Were Going to Make It, Blind Man, and More and More.. But the advent of WDGY was the quantifiable arrival of the genre that influenced lifestyles, attitudes, fashion, language, and of course, radio formats for generations to come. CLICK ON IMAGE TO ENLARGE, WDGY Guides, Bohaty-Douglas-Olson, 1982. (Minneapolis Tribune, September 7, 1976), Pharoah Black introduced Earth Wind and Fire, with the Emotions and Wild Cherry at their October 7, 1976, concert at the Met Center. Although authorized for only 500 watts from midnight to 4am, it had been broadcasting at full 5,000 watt strength since Crowell-Collier Broadcasting bought the station in late 1959. 740 kHz AM oldies; And the response has been so good that the weekday evening jazz time may be extended. The DJs chose the music, which was 80 percent pop standard and 20 percent contemporary. Donald Perry was the General Manager. It is imperative that this unit be installed as soon as possible when received.. The station was innovative in its promotions, had legendary DJs, features like Solid Gold Weekends, and at least two airings of The History of Rock n Roll, an all-encompassing rockumentary.. What became of the building? Some of the airchecks are off reel to reel tapesthat were recorded off the air by the web site creator. In 1969, WDGY's production room was located in the basement. CLICK ON IMAGE TO ENLARGE, This photo was taken as the car pulls into the driveway on a Richfield winter day. Soon, it was possible to see the lights on the six KDWB towers. The station was located at 8th and Wabasha in South St. Paul, conveniently adjacent to the stockyards. Finally, in the late 50s Sam Cooke broke the color barrier in the Midwest with You Send Me and black artists began to appear regularly on Top 40 charts. He stayed until February 1978. KDAN may not have been muchbut it provided me opportunity and a beginning. See Top 30 and Top 40 countdowns from 1966 on Robb Henrys blog. Always a different color of Twin Cities life. Johnson mostly played what was termed easy-listening jazz: Isaac Hayes, Shirley Bassey, George Benson, Herbie Mann, Herbie Hancock, etc. Leigh (pronounced Lay) Kamman had presented jazz shows for years, lately on KSTP radio until that station summarily fired him along with a number of longtime staff for some unknown reason. Heres a story from Rod, taken from, http://twincitiesradioairchecks.com/wwtc.html, http://twincitiesradioairchecks.com/wmin.html, http://twincitiesradioairchecks.com/wdgy1130tapes.html, http://twincitiesradioairchecks.com/ktcrfmtapes.html, http://twincitiesradioairchecks.com/kqrsphotostapes.html. Dan Pothier (pronounced Poh-SHAY) worked at the station around this time as well. Formula 63, will relieve ennui he promised right from the first moment you try it. The actual graphics and billboards were created by Sid Rich and his advertising agency at the time in 1974. (Minneapolis Tribune, January 27, 1966). Most of them were from me. The station put on its salesmen, some, like Stan Mack, were former jocks. It features the bands of Les Brown, Glenn Miller, Woody Herman, Sammy Kaye, Tommy and Jimmy Dorsey, Ray Anthony and Xavier Cugat. First you will hear the turkey gobble sound indicating listeners should call Johnny to be a part of the WDGY Turkey Shoot. Stronger, clearer than ever before. Bill Hartman, as promotion director, convinced Rob and Mike that it was very important to launch the new station at the Minnesota State Fair, exposing the new format to 1.3 million people that attended the fair for 12 days at the end of August to Labor Day every year. The report by the St. Paul Human Rights Department, released in February 1969, placed the blame for the disturbances mainly on how the police handled it. Follow the link to read the story of this long-running radio show. Thermometer posted on Facebook by Jay Arnold. Finally, Rob Sherwood arrived back in Minnesota with new jingles for the Twin Cities powerhouse station U100. Bob Allards call-in show nearly caused a riot on July 14, 1978, when he hosted Nazi Steven Martinson. http://twincitiesradioairchecks.com/kstpam70s.html. It was delivered in the back of a pickup truck and weighed 2,300 pounds, made with 1,010 pounds of cookie mix, 725 pounds of powdered sugar, and 172 pounds of shortening. WDGY Jocks teamed up with professionals Ed Kalafat, Bobby Cox, Jim Springer, and Corky Devlin, possibly former Minneapolis Lakers. Hed also done some research in music therapy, and planned to play records for what they did for the listener. One of the obstacles it ran into was resonating re-radiation from the Bloomington Water tower. MINNEAPOLIS / ST. PAUL, MINNESOTA Format: T40. Radio and Records magazine, March 18, 1977, courtesy Todd Mitchell, Only reference to Y-11 that came up in a search of the Strib. WPBC: No, thats not a mistake. Last week Ed Skotch of KUXL announced plans to introduce features designed to cheer up the lonely housewives, and now Bill Stewart of WPBC says he has started a new format of happy music and other features of make people feel better.. In September 1962 it was advertised as the only all news station in the country. He had a student pilots license and certainly shouldnt have been flying alone, in the night, in a storm, with passengers. Supposedly, a gentleman that lived within the main lobe of the pattern had decided to wind copper around his attic and, with an appropriate capacitor, made a tuned circuit at 1130 which allowed him to power his florescent lights. Paul Johnson recalls the remote surroundings of the transmitter and other memories of the tiny station: To make a once-per-day required base current reading at the bottom of the center tower meant you had to trudge through chest-deep snow in the winter. No KDWB! Airchecks from 1955 57 on www.radiotapes.com seem to indicate that the music was pretty middle-of-the-road, but they did play Hound Dog on September 7, 1956 Its #1! The station was DJ-driven, with a July 2, 1956 ad touting the Fabulous 4+1: Herb Oscar Anderson, Don Loughnane, Jack Thayer, Bill Armstrong, and Bill Bennett. We hope you will enjoy our first birthday edition YESTERHITS FROM YESTERDAY and join us in listening to the second year of Much More Music on 1130 Radio WDGY. New furnace, electricity etc. Or so reported the Minneapolis Star the next day. The Temptations were scheduled to perform at the St. Paul Auditorium on July 12, 1965, sponsored by Preacher Paul and KUXL. On this tape you will catch Johnny in the middle of a WeeGee Triple Power Play at the home of the "Twin Cities Most Music." http://www.twincitiesradioairchecks.com/ (Rick Burnett). This billboard at 9th and Hennepin tells us that WTCNs radio and TV studios were at Radio City. was WeeGee getting ready for the country format switch? The Gavins sold their mimeographed service to one station per market and it was kind of a co-op into which we all poured our tips. The format changed to classical music in 1961. Bobby Blue Bland might have been the first KUXL show, appearing on July 22, 1964. In 1956 the station was sold to the Crowell-Collier publishing firm. You can view more history by clicking the following web address:http://en.wikipedia.org/wiki/KFAN_%28AM%29 And also at: http://en.wikipedia.org/wiki/WDGY. Proceeds would go to a charity mutually agreed upon by the two teams. All stations will soon be equipped with an echo chamber for ON AIR use. But Glover was probably the most popular and well-known. With a constant bombardment of loud jingles, the jocks would scream YEEEEWWWW ONE HUNDRED! and BOOGIE! when they werent giving the time, temperature (its 72 degrees in Frriiidleeeeey!) or bad jokes. Some took it hard. Except that police reported that the incident only involved several youths. 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