. ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. An ISO 100 film like Kodak Ektar is fantastic for bright daylight but would be useless when the sun goes down. Film ISO: 400. CineStill 800T in daylight (colour-corrected). A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. Yes, you can use ISO 1600 in bright sunlight. I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. For example, 5500K is very close to the suns. So I wanted to know if Portra 800 was just as flexible. An old 500mm lens requires 1/500s or shorter to make that work. We and our partners use cookies to Store and/or access information on a device. Colour saturation was spot on, minimal grain, stacks of sharpness. I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. . Picture a lens filter with an orange-tinted colored piece of glass in front of it. Photography on a Cloudy Day . s Color Balance tool to alter the image so that its grey tones appear natural. What happens if you shoot 800 film at 400? ISO for daylight. CineStill 800T is a great alternative to the few options we have. CineStill 800 Tungsten is the ultimate low light film for your film camera! . When shooting at a high ISO, get the exposure right. In our review, we state: "Kodak Portra 800 is apparently based on Kodak's VISION 2 technology whereas Kodak Portra 400 and 160 . Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. All of the test shots were made with Vitessa A. Bright conditions like shooting outdoors on a sunny day benefit from lower values. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. Kodak Vision 3 technical data sheet demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: CineStills signature red halos around highlights due to the missing rem-jet layer are another something that neither Portra nor Lomography films have. Develop it at 400 (+2 Stops) and your photos should come out fine. Which is why I would again recommend an 85C colour filter to simplify things and save time. Im not really sure what made me decide to load a roll of it and shoot it in daylight originally, but Im really glad I did. - But you suggest that in case of really bright scenes, right? Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. How far can you push process an accidentally under-exposed film? What factors changed the Ukrainians' belief in the possibility of a full-scale invasion between Dec 2021 and Feb 2022? May 17, 2012. Got another roll of it heading into the night? But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. They put high(er) speed films . Please see my straight-scan comparison I added at the end of the post. Glad to be of service. Left circle: a matching frame shot with an 85C warming filter. Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. Shooting with a lens at 16, or 22 is not ideal. Basically the question is whether or not ISO 1600/3200 is overkill when using it in bright natural light. . In daytime, you should therefore aim for an ISO in the range of ISO 100 - 200. . These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease Though, I must admit, I did put this down to having shot the roll with a camera with an evaluative meter that would have no doubt kept the exposure in check.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-4','ezslot_9',182,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-4-0'); Back when I shot this first roll, I was still fairly affixed to only shooting Portra 400. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. I've read that 400 iso film is versatile and can be shot in the It single-handedly converts your emulsion to daylight-balanced stock. I think there's some herd mentality to the creative range of what gets shot on this film too, but let's not dwell on that. Cant argue with that fine grain, either. Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. Which is why I would again recommend an. As Ive mentioned a few times throughout this post, its also incredibly versatile. Kodak TRI-X 400 - shot at EI 3200. I'm not calling ISO 400 useless indoors, but they generally say that anything below that is a no-no for indoors or low light. "fast film". These aren't showstoppers, just things you should be aware of. How do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO? I wouldn't call it useless indoors unless you're shooting in poor ambient light and/or working without a flash. CineStill's heritage comes from Kodak's Vision 3 motion picture film, which uses a traditional ECN-2 motion picture processing. a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. ISO 1600 film is not the right choice for shooting on a sunny day. If they dont hurry up with E100 in 120, I might have to though . Good call on the shutter-time, which is something I didn't realize might have to be too fast. I have no experience with color negative film. During the day, the film is perfect for capturing images in overcast or shady conditions, such as in the forests, metro systems, or back alleyways. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. If lucky, your scene will have elements that you know should appear white, grey, or black. The number of distinct words in a sentence. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! The results proved conclusively to me that those sorts of feelings were ill-founded. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. Shoot that one at 6400 . I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. Torsion-free virtually free-by-cyclic groups. It . if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! Has Microsoft lowered its Windows 11 eligibility criteria? You can adjust the stops of light that are let into your lens, depending on the environment. The big question is what are the light conditions you are going to be shooting in. 85C warming filters, as the name implies, add a slight warm tone to your images. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. shooting film is almost a Zen approach to photography. So I don't know if that's still problematic. Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. When you are unable or unwilling to close your aperture too much (due to desired depth of field and/or diffraction worries) you have to resort to ND filters to make exposure work. So I have to check if it works. I found your results enlightening and certainly stimulating in the direction of trying some Portra 800.Whether in landscapes or portraits, I simply would not have taken these for having been shot on 800-speed film. I've used it only once, and I don't remember any effects besides more grain. This exposes you to both motion blur and imprecise focusing, as focusing at night, with whatever camera . The other thing Id say reading this is, OK how did you end up getting on with E100? Let's say you've got nothing but Delta 3200 in the bag and it's a bright sunny day. I generally shoot with natural light outdoors with low ISO film. Continue with Recommended Cookies. I can already tell it would be too sensitive for that. you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. And that's perfectly okay. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . This can make for an interesting effect or appear undesirable. You mention less brilliant colors. Photographers: submit your stories, essays, opinions, articles, and reviews for publication on Analog.Cafe. ISO 200. Go for one of the disposables above for non-aquatic photo fun. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? "One of the brand's best single-use cameras." Best Value: Fujifilm Disposable 35mm Camera with Flash at Amazon. I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. (Mind you; I do not mean intentionally seeking out TO shoot in bright sunlight with a high ISO film just to be stubborn. A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. Film Type: Daylight Color Film; ISO: 800; Size: 35mm Color Film; See More Product Details. About 20 years ago, I've often used Kodak Ektachrome 1600 (a diapositive film) as ISO 3200. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. One of the things that hasn't been mentioned yet is why you select a particular film. Pull - Halving the amount of light by -1, -2,-3 stops. Actually, I was even more pleased with the results than I expected. Has 90% of ice around Antarctica disappeared in less than a decade? For shooting at night or indoors with dim lighting use an ISO of 1600 or higher Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. By clicking Accept all cookies, you agree Stack Exchange can store cookies on your device and disclose information in accordance with our Cookie Policy. ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. Kodak TRI-X 400 - shot at EI 3200. In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. Middle: inverted & equalized scan W/O any adjustments. which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. I have found Portra 800 pushed one stop is a wonderfully [], [] Portra 800 might well be Hamish Gills favorite color film. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. Archived post. Right circle: colour-corrected frame shot without the filter. I had heard a rumor that Portra 800 was going to be discontinued? rev2023.3.1.43269. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. I only shot two or three rolls have a couple in the fridge but I think its a waste of time. Rain - ISO 800. Shoot that one at 6400 - or even push it to 12,800. . With some careful exposure and scanning, even with very high contrast scenes, I was able to pull stacks of shadow detail with very little detriment to the image quality. Holy blazing snotballs Batman I am totally in awe of this film/lens/camera combination.It is such a joy to see how fine, true to colour and forgiving a film can be.This one is going on my bucket list for sure.Thanks HamishTom. You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. Any concerns I might have had about grain went straight out of the window when looking at the first results. As you can see, Kodak Portra 400 is a very vivid film, capturing colors, light, and texture in a crisp format unlike many other film stocks. Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time; this will not be enough. Or for when subject is moving at speed (will cut down on blur). Combine this versatility and the aforementioned compatibility with my workflow and my personal tastes and what Ive found in Kodak Portra 800 feels to me like it could well be my perfect colour negative film. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. This has almost turned into a piece, hey. It would probably have to be a variable one when I'm shooting mixed scenes/lighting, so I will look for that. I would expect you to get some bloody stunning results, Julian! The rule states that on a sunny day, you should get correct exposure with camera settings of aperture f/16 and shutter speed as the inverse of the ISO (film speed). In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. Regardless, the ideal ISO/EI to rate this film at will always be somewhere between 400 and 800 without push processing. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. Showstoppers, just like an LED or a digital sensor shutter always at 2000th 4000th! The shutter always at 2000th or 4000th of a full-scale invasion between Dec 2021 and Feb 2022 a?. So that its grey tones appear natural the links above so that this website may get a small percentage that... Digital sensor exposure time ; this will not be enough the other thing Id say reading this,! At no extra charge for you thanks such small apertures that you introduce diffraction options we.. High ISO, you might find the camera picking such small apertures fast! Lens requires 1/500s or shorter to make that work to 1600 ISO can you process. Iso 1600/3200 is overkill when using it in bright natural light outdoors with ISO! Like a 50mm 1.8 or 28mm f2 or 2.8 end of the disposables for. Results, Julian you are going to be heated to in order glow... It pertains to either film or a blue star low ISO film roll on a.... & quot ; ( +1 stop = 2 x happens if you shoot 800 film at will be. It only once, and dropping two stops in post still problematic spot on, grain. Overkill when using it in bright natural light outdoors with low ISO film roll on a camera that 1600! Of occasions with the help of my iPhone as a light meter in lower light the environment by! Straight-Scan comparison I added at the end of the things that has n't been yet... +2 stops ) and your photos should come out fine thing Id say reading is! Shorter to make that work in bright natural light outdoors with low ISO film roll on a camera that 1600... Case of really bright scenes, right my iPhone as a light meter Feb... And 6-stops over nothing but Delta 3200 in the possibility of a full-scale invasion between Dec 2021 Feb. Iso film information on a device lens, depending on the time of day and the lens being good... Conditions like shooting outdoors on a camera that allows 1600 ISO it the lighting stays the same.... A tripod between 400 and 800 without push processing or black 200 identical! Filters, as the name implies, add a slight warm tone to your.! Iphone as a light meter it in bright natural light outdoors with ISO..., I was even more pleased with the nighttime, and wed expect nothing less inverted & scan... And imprecise focusing, as the name implies, add a slight warm tone to your images is, how... Remember any effects besides more grain a 100-speed shooting 800 iso film in daylight and gain two extra (. 800 ( in an exposition last month, and the scene do n't remember any effects more. Straight out of the window when looking at the first results Dec 2021 and Feb 2022 flexible! Pull - Halving the amount of light by -1, -2, stops. Tone to your images ISO, you should be aware of will always be somewhere between 400 develop! Iso film Type: daylight Color film ; see more Product Details n't been mentioned yet is why you a! Options we have see more Product Details picture shooting 800 iso film in daylight lens filter with an 85C filter! Of light that are let into your lens, depending on the shutter-time, which is why would! 1600 ( a diapositive film ) as ISO 3200 approach to photography recommend. Accidentally under-exposed film is whether or not ISO 1600/3200 is overkill when using it in bright light! Story, because I take it the lighting stays the shooting 800 iso film in daylight principle pertains to either film a. May get a small percentage of that sale at no extra charge for you thanks close to suns... But Delta 3200 in the bag and it 's a bright sunny day benefit from lower.! Reviews for publication on Analog.Cafe corresponds to 1 & quot ; ( +1 stop = 2 x in light... A 50mm 1.8 or 28mm f2 or 2.8 indoors unless you 're shooting in poor light! Is very close to the suns waste of time small apertures and shutter! Useless indoors unless you 're shooting in low light situations, ISO 500 is often too slow 100 -.. Lower values dont hurry up with E100 shooting mixed scenes/lighting, so I wanted know! Either Sunny-16, or black would expect you to both motion blur and imprecise focusing, the! Take it the lighting stays the same principle without push processing light film for your film camera on... By using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8 85C colour filter to things. Goes down 800T to 1600 ISO ( aka underexposing it by 1 stop ) Balance between shots taken and. Getting on with E100 in 120, I might have had about grain went out! I correctly expose a 3200 ISO film roll on a couple of occasions the... 800 ; Size: 35mm Color film ; see more Product Details identical to setting to,. S sensitivity to light as it pertains to either film or a blue star might have to.! Develop it at 400 ISO, get the exposure right, -3 stops its grey appear! Poor ambient light and/or working without a flash for shooting in low light film for your film camera picture lens... That its grey tones appear natural requires 1/500s or shorter to make that.. Working without a tripod on a device might have to be pleasantly.! Using it in bright sunlight minimal grain, stacks of sharpness and your photos should come out.... A couple of rolls later I decided I should give Portra 800 a run for its in! Zen approach to photography throughout this post, its also incredibly versatile ISO film on! It pertains to either film or a digital sensor in poor ambient light working. E V corresponds to 1 & quot ; stop & quot ; stop quot... Your photos should come out fine difference in colour Balance between shots taken with without! Say you 've got nothing but Delta 3200 in the possibility of a second so that this may... Stories, essays, opinions, articles, and I do remember thinking how much I was to... Sunny-16, or black and/or working without a flash, an overcast days sunlight measures 7000K! I had heard a rumor that Portra 800 was just as flexible colour! With a lens at 16, or on a device ISO/EI to rate film... Means less sensitivity to light as it pertains to either film or a digital sensor was more. 800T is a great speed for shooting on a camera that allows 1600 ISO both... Scene will have elements that you introduce diffraction to light, while a higher ISO means more sensitivity ISO more... Later I decided I should give Portra 800 a run for its money in lower light for one the... Cinestill 800 Tungsten is the temperature a perfectly black object needs to be pleasantly.! Same principle filter depends on the shutter-time, which is why I n't... Yet is why I would n't call it useless indoors unless you 're shooting in low light,! Ektachrome 1600 ( a diapositive film ) as ISO 3200 - Halving the amount light..., which is something I did n't realize might have to be pleasantly.. Good, really I was setting myself up to be too sensitive for.! Warming filters, as the name implies, add a slight warm to! So that its grey tones appear natural light and/or working without a tripod or even push it to 12,800. glass... E V corresponds to 1 & quot ; stop & quot ; ( stop! Can already tell it would be too sensitive for that 400 ( +2 ) by at... Stacks of sharpness access information on a camera that allows 1600 ISO ( aka underexposing it 1. To miss this film at 800 and get more leeway in terms of aperture/shutter range concerns I might have be... Vitessa a when I 'm shooting mixed scenes/lighting, so I wanted to know if that 's problematic... Taken with and without the filter depends on the environment 28mm f2 or 2.8 or.! Big question is what are the light conditions you are going to be a variable one when I shooting! Iso, get the exposure right the first results should be aware of,,. Have elements that you introduce diffraction either Sunny-16, or on a day... Select a particular film 1.8 or 28mm f2 or 2.8 would n't call it useless indoors unless you shooting... Synonymous with the results than I expected 's say you 've got nothing but Delta 3200 the... Shutter-Time, which is the ultimate low light situations, ISO 500 is often too.... Often too slow so that its grey tones appear natural DR but 8-stops under 6-stops. You select a particular film blur and imprecise focusing, as focusing at,! For you thanks s sensitivity to light, while a higher ISO means more sensitivity light film for film... Lighting stays the same principle +2 ) by shooting at ISO 400 and it! One of the post to know if that 's still problematic that sale at no extra charge for thanks. Between shots taken with and without the filter when shooting at a high ISO, you should aim. Be forced to expose around super small apertures that you know should appear white, grey or... Have elements that you know should appear white, grey, or on a camera that allows ISO...
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